(2006) – Janet’s “sneaking out to play tonight” on this Janet-Jimmy-Terry record on the JD-heavy 20 Y.O. Sequenced very late on The Velvet Rope, Rope Burn isn’t Janet’s first foray into kink on her records, but its enough to make you want to explore what she’s singing out. “ Rope Burn” from The Velvet Rope (1997) – From the opening “Mm.my lips hurts” you know exactly what you’re in for with Rope Burn.The electropop sound isn’t forced and Janet isn’t trend-hopping in the way many of her peers were doing around the time of this songs release. “ LUV” from Discipline (2008) – Darkchild’s signature sound is here and Janet glides and jumps through the beat in a way that makes Luv sound as fun as its shorthand title implies.Time running away makes her want to see her lover again, not rush into things. “ Funny How Time Flies (When You’re Having Fun)” from Control (1986) – Janet’s voice exudes a sexiness here that may seem at odds with the message of previous track Let’s Wait Awhile, but I think if anything it reinforces that songs message.The drums make the song a perfect party anthem, and the chorus is amazing in how simple yet fun it is. “ Come On Get Up” from All For You (2001) – The song “All For You” is such an upbeat bop, but “Come On Get Up” somehow manages to up the ante.That matched with Janet’s stacked harmonies perfectly encapsulate how exciting, and then ultimately frustrating, it can be maintaining a relationship using technology “ Empty” from The Velvet Rope (1997) – The way that the beat builds as this song progresses is beautiful.It sets the tone for the second quarter of the album as the tempo starts to slow, creating a sonic journey that is hot to follow. “ When We Ooo” from All For You (2001) – The first of many sensual sounds on All For You, “When We Ooo” is as sexy as the title implies.
Janet Jackson didn’t earn her legacy from anybody’s work but her own – and that is the truth.
(2006) – Another bedroom banger that further proves Janet Jackson is the ultimate sex songstress, only now she’s crooning about pleasuring her own self until her partner comes home to assist. That’s what makes her vulnerability and honesty for having feelings for someone you probably shouldn’t, but more than likely have at one point or another, all the more relatable. “ Thinkin’ Bout My Ex” from Damita Jo (2004) – We’ve all been there, and Janet is no exception.No doubt, “Love Scene” remains one of her most serene yet erotically inviting baby-making anthems. “ Love Scene (Ooh Baby)” from All For You (2001) – Only Janet Jackson can make a sex song sound so zen that it could be played at your local spa.“ Broken Hearts Heal” from Unbreakable (2015) – Inspired by the death of her brother Michael, this Unbreakable number will have you dancing along to her most sacred memories instead of crying over them.“ Feels So Right” from All For You (2001) – As Janet’s lighthearted vocals glide over a frothy beat, it’s almost impossible to not beam from ear to ear when listening to the superstar revel in the joys of her love.And, who can’t use a good pick-me-up these days? (2006) – This feel good track about appreciating the simple things in life is like that big, warm hug you need when you’re looking for just the right pick-me-up. From there, our editor Vincent Anthony compiled the songs into a playlist and worked out the most optimal sequencing for you to experience these must-hear Janet tracks. For each cut, they explain why you should check the song out. We hope you enjoy! Janet Jackson: The Deep CutsĮach staff writer (and Janet Jackson fan) selected a handful of deep cuts to be included in our playlist. If you’re like us, watching Janet’s eponymous new documentary on Lifetime has you revisiting her music, so, if you’re someone who has only been familiar with her singles, allow this playlist to acquaint you with her more obscure deep cuts. In celebration of 40 years of Janet Jackson as a recording artist, our team compiled a playlist of our favorite Janet “deep cuts,” consisting of our favorite underrated, lesser known Janet tracks that a casual listener may have never heard.
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